Camera Zizanio

Ευρωπαϊκή Συνάντηση Νεανικής Οπτικοακουστικής Δημιουργίας

16th Camera Zizanio / December 3 to 10, 2016

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On Saturday night, the Deputy Head of the Western Greece Prefecture, Mr Giorgos Georgiopoulos, declared the start of the 19th Olympia International Film Festival for Children and Young People in an amazingly crowded theater. The leading roles for the night were in the responsibility of some “ex-Zizania” of the Olympia Festival; meaning children that had been “recruited” to the festival by making their own films for Camera Zizanio – some of them at the very beginning, 19 years ago.
They revealed their talents in opera, singing and playing the guitar*, earning the warmest of applause and proving that the film festival, that is about to celebrate its 20th birthday next year, “breeds” a new generation of artists. Besides, the two Spanish hosts Iñaki Lamua and Marina Muñoz, whose Greek is by now almost exceptional, used to also be Zizania and now together with Dimitra Myftari, shared the stage of the Apollo theater for the opening ceremony!
One of the most sentimental moments was when another “ex-Zizanio”, Panos Chatzilazaridis, who is now a grown man, beautifully sang to honor the Chairman of Ert (Greek national radio & television), Dionysis Tsaknis, who was present at the ceremony, one of the latter’s most famous songs: “I am turning my back to the future” (free translation). The lyric saying “You won’t have me as an accomplish to the murder”, shocked the audience. Moved and “agitated”, as Dionysis Tsaknis described himself, he wished for “the times to come to cancel the meaning of this song and the need of people to sing it”. He also confessed it feels peculiar to him to be sitting in the first row of “official guests” at the theater, as he would always comment on them as a youngster sitting in the last row.
Speaking with the warmest of words about the Festival, he emphasized how unbelievable it is to see “a whole city behaving totally different compared to the youth stereotypes shown by private television”. He also wondered “What is the role of national television? To identify with what is happening here! Congratulations to the youth! Congratulations to Dimitris Spyrou for painting this picture. The picture we want to represent Greece”.
The Deputy Minister of Education, Mr Dimitris Baxevanakis, was also present at the opening ceremony and pointed out that “the state needs to actively support this globally irradiating organization” and that “the contribution of the students in its success is enormous”.
An old friend of the Festival, archaeologist and General Secretary of the Ministry of Culture, Mrs Maria Vlazaki, remembered how last year, the Zizania asked her when she would institutionalize the Olympia Film Festival. “But you have already achieved that!”, she replied. “The festival is a cinema incubator. And don’t forget there are new EU financial support programs. We will be waiting for you, Mr Spyrou…”.
Greece is now in a strained position, while dark clouds are gathering over the whole Western World”, said the president of the Festival, Mr Georgiopoulos, thus declaring the beginning of the creative week to come.
Quite often, reactions to the hard times we are going through, take the wrong turn. And within these times, it is admirable how in the cities of Pyrgos and Amaliada, children learn to love art. And I am looking forward to seeing through their own films how they perceive the world crisis, take it and turn it into art”.
Mr Nikos Theodosiou, head of Camera Zizanio, explained how the beautiful drawing on the cover of this year’s catalogue was created by “a 15 year old girl, who is a refugee from Afghanistan with mobility difficulties. And yet, this girl was forced to cross many countries, to find herself trapped in Greece. Immobilized in a wheelchair, at a refugee camp, spending her time drawing”. Wrapping his speech up, he said that this year’s festival is “dedicated to all those children who are looking for a serene place to stay and live”…
The artistic director, Mr Dimitris Spyrou, the “core” of the Olympia Film Festival, referring to the films from the whole world that he has chosen for this year, accentuated “no issue concerning our planet right now has been left out”. And further explained that “a children’s festival does not want the youth to passively consume pictures, but rather think, judge, cultivate their aesthetics and not just shallow whatever is served to them by people who use art as merchandise. A children’s festival aspires to contribute into its viewers becoming responsible citizens…”. He also happily noted that this year “all institutions unanimously decided to support the festival. And this is important. It’s important to give everything we can to the youth!”.
Among others, the opening ceremony was attended by the Deputy Minister of Social Security, Mr Tasos Petropoulos, the Deputy of Ilia, Mrs Efi Georgopoulou Saltari, the Deputy of Evia, Mr Giorgos Akriotis, the Mayor of Ilida, Mr Christos Christodoulopoulos, the Deputy Head of Economics of the Western Greece Prefecture, Mr Panagiotis Bramos, the General Secretary of the Municipality of Pyrgos, Mr Charis Antypas (who gave his own greetings on behalf of the Mayor, Mr Gavrilis Liatsis, who could attend), the Deputy Mayor of Olympia, Mr Giorgos Devves, the assistant to the Head of the Western Greece Prefecture in matters of Volunteering and Olympism, Mr Dimitris Kostarias etc.


If we should choose only one of the characteristics of Camera Zizanio 2016, we would have a hold on what nine children give us. Children unknown to one another: Max from America, Maia from Canada, Tobby from England, Stanislawa from Belgium, Artemis, Iasonas, Konstantis and Maximos from Greece, Zahra from Iran.
What do these children from the four corners of earth, from different socio-economic and cultural environments, have in common? They are all 10 years old. They are filmmakers. They made movies completely on their own, without the framework of a collective workshop! It is quite extraordinary that in this early age they handle with ability the new technologies making complete works. But not only this. These works have an essential content, so their production required complex intellectual processes.
It is not about whizkids. It is the new generation that has been revealed to us. The one that can seize the reality, talk about it, intervene. As Stanislawa does with her film welcoming the refugees and guiding them around her city, in the very heart of Europe, Brussels. It seems that the hurdle is so low. And as long as the hurdle gets lower, our responsibilities towards them grow and notably the responsibilities of those who are in decision-making positions.
Perry the shipwreck survivor, 5’14’’/ 2016 by Iasonas Anastasopoulos, Greece.
A short film comedy about the story of a child who wants to fabricate a boat listening to his subconscious mind. Βut he meets various adversities…
Αround the world, 2’52’’ / 2016, by Artemis Kalantzakou / Greece.
A littlle snail begins its travel from Greece in order to go around the world (on a political map) and comes back to Greece in… 2 minutes! Inspired from the book ”Around the world in 80 days” by Jules Verne.
The Cabinet, 3’30’’ / 2016, by Alexopoulos Brothers: Konstandis &Maximos/ Greece.
In a cabinet live some toys. But is this what life is? To be locked in a cabinet! Will they manage to make a change?
George’s Dream, 2’59’’ / 2016, by Toby Little, UK.
A little boy watches a film about a journey to the moon. When he falls asleep, he dreams of going on a big trip himself…but is it a dream?
Welcome refugees in Belgium!, 2’31’’ / 2016, by Stanislawa Borginon / Belgium
Α report meant to introduce Belgium to the refugees. In my school, we were given an assignment in the World Orientation course: how to introduce Belgium to the refugees?
Captivity, 1’57’’ / 2016 by Max Carlin / USA.
A person wakes up in a cement room with no windows and no doors. How will he escape?
Behind the Rocks, 5’ / 2016, by Maia Costea, Canada .
After finding a golden rock in her garden, a girl goes on an unexpected adventure with her friends.
Tress, 1’ / 2016, by Sara Hessari, Iran
One of dolls has not any hair on her head. Τhe girl tries to make hair for her doll kindly.

Look Beyond Borders


For the visual art of 16th Camera Zizanio’s  catalogue cover we selected the drawing of a 15-year-old refugee girl from Afghanistan, Sahar Rezai.

She survived from the war in her country, and after a laborious – due to her reduced mobility – and dangerous journey of 50 days, she travelled through the Aegean Sea but she got trapped in Greece when its borders were closed.

Now, in a camp of refugees, she spends the endless hours of immobility in her wheelchairs by drawing the big refugee odyssey, the disappointments and the dreams.

  • It is dedicated to all the children of the world who are seeking after a hospitable place to stand on and create.

More paintings from Sahar Read more of this post



The 16th Camera Zizanio (December 3 to 10, 2016 ) will be totally unlike any other. Seeking to be the most real voice of children and young people all over the world, the most representative step of young people’s audiovisual creation, it takes the great leap. The international section that has been until now only informative, becomes competitive. And it is added in already pre-existing sections, the European and the Greek one. Read more of this post